Did this illustration the other night, for Amelia's Magazine's review of the London College of Fashion MA Exhibition.
I'm pretty happy with it, as was the designer I illustrated, Tina Elisabeth Reiter, who tweeted her thanks to me. To get a personal thank you from the person you've illustrated is pretty rare, and very welcome -- I think I can count on my fingers the number of times it's happened and I've done loads of stuff for Amelia's in the past. On my part, it was a fun illustration to do -- I really liked the designs, especially the shape of the coat and the use of browns and oranges.
My scanner was refusing to work because it's printer was out of ink, so in the end I had to resort to taking a picture, which while not ideal actually worked in my favour, because it's given the figure an antiqued effect, although it did mean that the oranges which I'd hoped to make really 'pop' went a bit muddy. The background is a colour-altered version of the red one I used for my The XX illustration a little while ago -- making it green was a no-brainer.
That my drawing of the model has made him look a bit more like a young H.P. Lovecraft than I intended is a good example of that whole 'literature and horror creeping in' thing I mentioned in Digital Arts blog post.
Oohh I lOVE the sepia tones in the figure, like it a lot!
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