Gareth A Hopkins
email: gareth@grthink.com

These pages will be kept updated with forthcoming gallery shows and news on completed artwork.

Pages from my ongoing surreal/abstracted comic 'The Intercorstal' can be found here: The Intercorstal

My deviantart gallery, chock-full of my art, can be found here: grthink

Stories from my (old) walk to and from work can be found here: Trolleys In Odd Places

Tuesday 15 November 2011

On Page 51. Some process.

I've just posted Page 51 to The Intercorstal blog. It's very chicken based, and that's only really half on purpose.

I was flicking through the sketchbook I'm currently using for pages of The Intercorstal and found some sketches I did of the Stepney City Farm's animals as prep for the Paul Foot Jigsaw Madness flyer a few months ago. There was a page with three sketchy chicken heads on there, all faulty in one way or another (the drawings were faulty, not the chickens) and I thought it would be interesting to use my own sketches as a base for a page, considering I've used so much else recently (P&O brochures and postcards in particular). This is what it look like to start with:

Then I drew a grid over the top of it and set to work. When I was working on the grid I used some smaller, square frames having been really impressed with the layouts in P. Craig Russel's adaptation of The Sandman: Dream Hunters which anxietydescending got me as an early Christmas present. It's pages like this one, courtesy of Comic Book Resources, that I was thinking of:
http://www.comicbookresources.com/news/preview2.php?image=previews/dccomics/vertigo/dreamhunters/SNDDH-2.24.proof.jpg
And then, yeah, I laid into it. Normally I'd work on The Intercorstal while watching TV or a film, but since moving house I've now got a desk to work at, which is much more comfortable, but there's no TV. As background I put on Alan Moore's reading of Unearthing which helped a lot, but there came points when I naturally needed to take breaks to free up some ideas. These ideas came from stuff I had lying around, and their influence is much clearer in this page than in others (which is why I thought it might be interesting).

 
Here's a run through of what's in there, other than the chickens, that didn't come directly out of my brain:

Top-right panel: There's an eye-shape near the inner border which I took from a Sandman toy that Anxietydecending bought me a while ago.
Centre-left: In the top-left corner of the frame there's a hand holding a box (you can only see the bottom of the box) which I copied from a photo I had of a Communist Chinese statue of a worker -- the dimensions are true to the sculpture.
Bottom-left: A set of lips copied from a photo of a Chinese statue of Marilyn Monroe.
Middle two on the bottom row: Details from the aforementioned Sandman toy.
Bottow row, right-hand side: A line drawing based on a photo of the view through my mum's patio windows. This was the last frame I completed, and I thought the relative simplicity made a nice contrast to the rest of the page while still being full of Intercorstally shapes.

This is the first time I've gone into this much detail of my process on an Intercorstal page -- if you've got this far I'd appreciate any feedback on whether this is something you'd like to see more of? There are still patterns and shapes and characters in this page that I could wang on about, as there are in all the Intercorstal pages, so if there's any interest whatsoever I'll try it again for Page 52.

Wednesday 9 November 2011

Frankenstein's Monster

Click on the image for a bigger version -- you can better appreciate the detail in the shadows when it's up close.
I did this for Ballad Of's Little Book Of Horrors open submission call, which has since been renamed 'Ballad Of Petra Doe'. Because of the conditions of submission I couldn't share it until it either got printed or I found out it didn't make it in... Found out last night that the latter was the case.

To be honest, I wasn't surprised, as it's not quite the sort of thing I'd expected them to include. But I'd set my sights on doing a portrait of Frankenstein's Monster (aka Adam) and this is what happened. I'm still really proud of it, and am really happy I can finally show it off. I still love Ballad Of and think it's a great site and resource, and I'll definitely try to get into the next book.

And I'm looking forward to seeing the finished Petra Doe at the Launch Party - whether I dress up for the 'wake' is still up for debate.

Thursday 3 November 2011

New Intercorstal Pages and other news

I've added five new pages of the Intercorstal to the Intercorstal Blog, going back to the old numbering system.
The Intercorstal Page 48 - this was originally done as a cover for 'Elipses'
Reverting to the old system has made me realise that these five pages are the first 'old school' ink pages for over a year. Although I've produced a lot of other pages for Collider, Valentine, Witches and About Town they've all used photographs or other illustrations as a base. (I'm not including 'Cloud City', the series of postcards I did, as I'm still not sure what to do with them...).

My target of 96 pages is fast approaching -- the latest 'old school' page is number 49, but that numbering doesn't include all the 'special' pages I've done over the past year. With the amazingly patient AnxietyDecending, I'm hoping to collect what we've got so far as a very limited edition called 'Elipses'. I hope to then use that to weed out weaker pages or trends in the completed pages and then kick off toward Page 96.

As well as this type of page, I also recently won a box of USA ephemera from a giveaway by Kye Sanga on Twitter and have said I'll make a comic out of that, and I'm also working on a comic made from a ten-year old copy of Empires Sexiest Movie Stars.